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Carrion_Crow

Stealth Head

+49667


Submissions

13
Tennessee Jed
April 26, 1972
Jahrhunderthalle

Because every song in this show deserves to be here. This is a solid rocking version, just excellent.
14
El Paso
April 26, 1972
Jahrhunderthalle

One of the perfect ones, and one of the last songs from this epic show to be posted here: A near perfect show from '72, one of the best.
11
Ramble On Rose
April 14, 1972
Tivolis Koncertsal

Jer: "This is a new song... and it goes exactly like this". Pigpen: "No it don't." Either way, it kicks like the good stuff.
8
Playin' In The Band
March 28, 1972
Academy of Music

Shocked it isn't here yet. Did you stop at Donna's beastly howl? If you did, you missed Jerry rip spacetime. Listen up and dig this Playin', really.
5
El Paso
March 28, 1972
Academy of Music

"Thank's Texans" Phil sez to the NY crowd. This one is a rollicking good time. Jer is all over it behind a great Cowboy Bob showcase.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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