headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Big Railroad Blues
Dec. 31, 1970
Winterland Arena

Not on the list, but hidden in an unfortunately cut Easy Wind. Tinny recording but killer, fast, and furious jamming.
7
Smokestack Lightnin'
Dec. 28, 1970
Legion Stadium

Soulful pure blues. This is an intimate, informal show. It ain't slick, and that's just fine.
1
Playin' In The Band
April 15, 1971
Allegheny College

Only 2 months old, and 22nd time: They were working hard on it, and you can hear the explosive potential. Manic warbler mode, Main 10 at the surface.
1
Truckin'
Dec. 28, 1970
Legion Stadium

Tight simmering burner here, with nice Bobby/Jerry mix levels. Pig on organ is a little lost, so try headphones for some fun.
1
Me and Bobby McGee
Dec. 27, 1970
Legion Stadium

Starts simple and grows into a triumph. Can't help but think these meant a lot to the boys right after JJ's passing. Beautiful.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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