headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

5
The Other One
Nov. 16, 1970
Fillmore East

Whether it's the 16th or 23rd, it's a killerdillerthriller. Ripping version, with a perfect transition from Truckin'.
2
Big Railroad Blues
Nov. 16, 1970
Fillmore East

Energy and power that struts its stuff. This show seems direly overlooked. Very nice mix and sound quality.
5
China Cat Sunflower -> I Know You Rider
Nov. 16, 1970
Fillmore East

Beautiful jam and transition. The mix shows off Bobby nicely, which is rare for the era. His contribution is beautiful here. Enjoy.
2
King Bee
Nov. 16, 1970
Fillmore East

Sultry swaggering deeply opiated vibe, with a hot harp solo. Was this Pig or Will Scarlet?
3
Cold Rain and Snow
Nov. 16, 1970
Fillmore East

Exceptional version, slightly mellower tempo, with great harmonies and tight jamming. Surprised it's not here yet.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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