headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49677


Submissions

4
Ain't It Crazy (The Rub)
July 12, 1970
Fillmore East

A mellow acoustic version unlike any I the others more known for being uptempo and somewhat aggressive. A rare treat.
2
Not Fade Away
July 11, 1970
Fillmore East

Vast and expansive, with hints of Mountain Jam peppered throughout and a brilliant tug-of-war over whether to go into TOO. Needs a cleanup.
2
Cold Jordan
July 11, 1970
Fillmore East

Sounds like Dave and Marmaduke came out mid-song to warm up for the NRPS set. Don't like acoustic AUD, don't bother. Like it? Oh baby, it's good.
1
Rosalie McFall
July 11, 1970
Fillmore East

First ever, and with 45 years between us and then, it's like a sweet whisper in AUD beauty. Real stuff here.
4
New Speedway Boogie
July 11, 1970
Fillmore East

Superb, a distant reach-out from the AUDmurk of time. A special treat here.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?