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Carrion_Crow

Stealth Head

+49712


Submissions

4
Bird Song
Feb. 24, 1971
Capitol Theater

Super loose in the joints and fun. They seem to be searching for the '71 sound throughout the run here but I like this one.
1
Sugar Magnolia
Feb. 23, 1971
Capitol Theater

High powered and super charged. The last third of the first set is a real killer.
12
Wharf Rat
Feb. 21, 1971
Capitol Theater

Not the best show, but the best Rat of this run. 4th ever, but the first one to stretch out and become its full self.
6
Playin' In The Band
Feb. 21, 1971
Capitol Theater

Want to be present at its birth? The infant Bacchus emerges. I love this song. This is the 1st time they nail it.
7
The Other One
Feb. 20, 1971
Capitol Theater

Passes through many phases, always exploring new riffs and hinting at further jams without ever losing its essential feeling and sound. Great stuff.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.