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Carrion_Crow

Stealth Head

+49722


Submissions

14
Wharf Rat
Oct. 16, 1974
Winterland Arena

Coming out of a 48 min jam to open the set, this one is like a small visitation before another huge jam>Eyes. A big epic indeed.
8
Playin' In The Band
Sept. 21, 1974
Palais Des Sports

Overlooked space-jazz masterwork. Mercurial and vast. Listen to it as the outcome of the Space before it and BANG! you're on a deep ride furthur.
6
Space
Sept. 21, 1974
Palais Des Sports

10mins of absolute weirdness. Incorrectly listed as Seastones - but Jerry, Keith and Billy are there with Phil and Ned. An outrageous corker. Scary.
4
Bertha
Sept. 21, 1974
Palais Des Sports

Show opener with mix off: not perfect but interesting to hear Phil/Bobby interplay (almost exclusively), which is rare for '74 recordings.
10
China Cat Sunflower -> I Know You Rider
Nov. 19, 1972
Hofheinz Pavilion

Uncategorizably brilliant transition jam. Sweet sweet Rider. Overshadowed by the immortal PITB that follows. Give a spin, it won't disappoint.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.