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Carrion_Crow

Stealth Head

+49722


Submissions

13
The Other One
Dec. 10, 1971
Fox Theatre

An immortal. Very experimental, so many melodic fragments amongst the splintered cosmos - they pull a surprise out of the hat. Check it out.
13
Sitting on Top of the World
Dec. 10, 1971
Fox Theatre

Buried in the extraterrestrial outer reaches of an immortal TOO this emerges, brings a 'how's they do that?!' vibe then disappears back into chaos.
23
Truckin'
May 7, 1972
Bickershaw Festival

Smokin' hot show opener. The band is ultra tight and kick things off with force.
3
Black Throated Wind
Sept. 20, 1974
Palais Des Sports

Looser than 18.09.74, but more intense in its buildup and climax. Wait for it, it slow-rises then comes on like a tsunami.
14
China Doll
Sept. 18, 1974
Parc des Expositions

Sweet gossamer comedown nicely after the angular intensity of Eyes. Jerry's voice is smooth and lovely.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.