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Carrion_Crow

Stealth Head

+49737


Submissions

14
Sing Me Back Home
May 3, 1972
Olympia Theater

Elegance defined. Some of the sweetest vocal harmonies of the era. Nailed it.
19
Good Lovin'
May 3, 1972
Olympia Theater

Phil and Pigpen interplay like few others I know. Brilliant and clear, with a thumping good vibe.
19
Goin' Down The Road Feelin' Bad
May 3, 1972
Olympia Theater

Show is all highlights, and NFA-GDRFB-NFA caps it in style. Listen to the whole set for full effect and feel the love.
2
Promised Land
Sept. 15, 1978
Sphinx Theatre

Kesey video after 12 min. of Ollin Arrageed, worth every second: http://www.youtube.com/watch?v=hMAKJfuP4II
1
Beat it on Down The Line
Dec. 31, 1971
Winterland Arena

Holy smokes! They took their vitamins today. Catch 'em if you can or get out of the way. Roller coaster version.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.