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Carrion_Crow

Stealth Head

+49742


Submissions

4
Space
June 28, 1974
Boston Garden

Sea Stones: Space noise electronica with Phil & Ned. Not for everyone, but sends me into well into the interstellar place.
6
Sugaree
June 28, 1974
Boston Garden

May-June '74 might be my top time for Sugaree. This just builds up to so much intensity. Great stuff.
3
Candyman
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Intimacy levels: Campfire. Acoustic mellow to the point where I feel like just went camping with my favorite band. A treasure.
7
The Other One
Feb. 3, 1968
Crystal Ballroom

Clutch yer nuts and hold on for dear life. Heavy headiness where the squiggly hippies and the madman bikers get massively Dead nailed.
15
Truckin'
Sept. 28, 1975
Lindley Meadows, Golden Gate Park

Explosive jam like they had 11 months of unplayed Truckin's compressed into one.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.