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Carrion_Crow

Stealth Head

+49742


Submissions

5
Not Fade Away
March 24, 1970
Pirates World

Has it all, and goes seamlessly into a killer Lovelight. Not catching why this show is the bomb? Try HEADPHONES - makes a big difference!
7
Let It Grow
June 26, 1974
Providence Civic Center

As a young head I used to scream out for LIG and this one reminds me why. They click into place for a monster show right here.
12
Scarlet Begonias
June 26, 1974
Providence Civic Center

Scarlet scrambled eggs deconstructed and elemental. Fun and Jerry is on fire, but we can't say 'flawless'. Chaotic fun. Band's just warming up....
10
Wharf Rat
April 5, 1971
Manhattan Center

Beautiful Skull and Roses-era top notch Wharf Rat genius on your ears here for those'll have it. Enjoy, bros.
6
Bird Song
April 17, 1971
Dillon Gym

A strangly deconstructed early version (7th time ever), very loose in the joints. But it rolls along with great lopsided beauty. Interesting.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.