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Carrion_Crow

Stealth Head

+49652


Submissions

5
Sugaree
May 25, 1974
Campus Stadium, UCSB

Swings and rocks you back and forth so sweetly. Not my favorite Dead song, but this one is just a beaut.
26
Wharf Rat
May 21, 1974
Edmundson Pavilion

A musical triumph capping an amazing 2nd Set. Soaring, almost Bird Songish intensity to the ensemble soloing. Perfect.
18
Sugar Magnolia
May 21, 1974
Edmundson Pavilion

Are you kidding me?!? This just blazes white hot. Whole 2nd set is just a supernova.
16
U.S. Blues (Wave That Flag)
May 21, 1974
Edmundson Pavilion

The boys were still inspired after that 46min Playin' and it shows. Possibly the best US Blues I know of. Don't overlook it or the rest of the show!
46
Wharf Rat
May 19, 1974
Portland Memorial Coliseum

Slightly faster with a steady ostinato bass that works beautifully. No dirge, but a thoughtful tale. I hear waves against a wharf at the end.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.