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Carrion_Crow

Stealth Head

+49652


Submissions

47
Playin' In The Band
May 14, 1974
Adams Field House, U of Montana

Slower, moody and thoughtful with Phil and Jerry-driven explorations. Brief Slipknot tease at 8:20 and 13:50 and a cool Supplication tease at 9:30.
13
Truckin'
May 12, 1974
University of Nevada

Inventive and crystal clear jam, leading into a 'nobody's fault' jam and a killer TOO>MLB where the '74 sound is just taking shape. Underappreciated.
2
Tennessee Jed
Dec. 31, 1971
Winterland Arena

Brilliant, cracklin' good, fast, tight and fun.
3
Chinatown Shuffle
Dec. 31, 1971
Winterland Arena

Crackles with up-and-jumping energy. Great show all around showing off the best of the era with Pig and Keith.
21
Scarlet Begonias
June 9, 1976
Boston Music Hall

Some funky bass be-bop and beautiful chaos in order in chaos in the outro jams. Just exactly perfect.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.