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Carrion_Crow

Stealth Head

+49652


Submissions

53
He's Gone
Nov. 18, 1972
Hofheinz Pavilion

Ignore nay-sayers who think this show is only about the (jaw dropping) PITB and decide yourself, this version is pretty, pure and full of '72 love.
10
Sugaree
Feb. 23, 1974
Winterland Arena

Hits that sweet spot between a shuffle and a ballad. Slight tinniness to Jer's Mike on my copy gives a nice swirling trippiness to it.
31
Playin' In The Band
May 17, 1977
Memorial Coliseum

Tiptoes on silk spiderwebs across a silent field of pure cosmos. Won't blow you into pieces, but will free your head from this mere terrestial plane.
26
Estimated Prophet
May 17, 1977
Memorial Coliseum

Pure mind-expanding insanity, slightly sinister and tight in its off-kilter odd-metered way. Cool organ sounds from Keith. Well-rounded May, '77 show.
15
Me and Bobby McGee
April 5, 1971
Manhattan Center

Jerry yodels. Need I say more?

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.