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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cumberland Blues
Dec. 15, 1971
Hill Auditorium

Joyful chaos: A brilliant splatter. Bobby's voice never sounded so good to me as it did in '71.
5
Mister Charlie
Dec. 15, 1971
Hill Auditorium

Pigpen at his best with the band at its grit-in-the-gears crunchiest. They were on this night and this one is just full of butt.
6
Wharf Rat
Dec. 12, 1973
Omni Coliseum

Very passionate version, some distortion or tape speed issues (?) remind me of my cassette trading days and bring out the trippiness to the song.
11
China Cat Sunflower -> I Know You Rider
Dec. 12, 1973
Omni Coliseum

If this hard grooving China jam and Feeling Groovy transition doesn't just get you moving, then nothing can. Just perfect.
10
Pretty Peggy O
Dec. 12, 1973
Omni Coliseum

First version ever is real nice... but listen to the soundcheck version for insight into the bands working dynamics. Cool to hear them working on it.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.