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Carrion_Crow

Stealth Head

+49667


Submissions

13
Brown Eyed Women
Oct. 2, 1977
Paramount Theatre

Perfection firing on all cylinders: Tight band, muscular beats, beautiful vocals (Donna's on!) and that applied greatness that is the '77 Dead.
13
Doin' That Rag
March 2, 1969
Fillmore West

Blissful '69 chaos: Jer says, "Help! Help! Hey, we need some organized minds up here" and then they launch. Great fun and a wild ride.
13
Comes A Time
Oct. 22, 1971
Auditorium Theatre

Pure. One of the first performances with beautiful, meaning-soaked delivery.
9
Wharf Rat
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Suffers a cutout in the middle, but reaches transcendant beauty and interplay. They end on a harmonics/tuning just delightfully right out of the song.
7
Mississippi Halfstep Uptown Toodeloo
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Sweet and subtle, part of a mega-massive 2nd set jam. A beauty.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.