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Carrion_Crow

Stealth Head

+49667


Submissions

8
Stella Blue
Sept. 12, 1973
William and Mary College Hall

Beautiful comedown after an epic Eyes. Forgotten show or not, this is one of the best 2nd sets of the year - and that says a hell of a lot.
6
Let It Grow
Sept. 12, 1973
William and Mary College Hall

Unique Dead with the whole horn section. In places sounds like Nigerian Juju pop from the same era (King Sunny Adé or Fela's big band). Very cool.
3
Loose Lucy
Sept. 12, 1973
William and Mary College Hall

Sweaty funky and a little bit loose - just like the lady in the song.
8
Bird Song
Sept. 12, 1973
William and Mary College Hall

Extremely beautiful version with some AUD problems. Sparkling melodicism out of the perfect collective mind. A forgotten diamond.
4
Ramble On Rose
Sept. 12, 1973
William and Mary College Hall

Impassioned version like few others, with both Jer and Keith firing on all cylinders. Terrible AUD probs keep this show unknown, but worth a listen.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.