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Carrion_Crow

Stealth Head

+49667


Submissions

40
Not Fade Away
May 28, 1977
Hartford Civic Center

Brilliant double Jerry/Phil solo. Who know that NFA could be such an exploration? A blazing 2nd set tour-closer from Spring '77. What else?!?
14
Good Lovin'
May 28, 1977
Hartford Civic Center

That Bob and Jerry both get barnburning warm ups (Bertha then this) pays off throughout this immortal show. Don't just start with the 2nd set!
15
Playin' In The Band
Sept. 23, 1972
Palace Theater

Nice hot version. Not as tripped out as some and never melts down, but 18 minutes of fun.
13
Playin' In The Band
Oct. 31, 1971
Ohio Theatre

Hard blistering acid rock with the '71 country vox. 6 minutes, but with the seeds within it that would become Playin' as we know it in '72.
9
Uncle John's Band
Feb. 18, 1971
Capitol Theater

Energetic encore. Rolling drums and tight energy ending a brilliant show like they were ready for another set.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.