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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

17
Samson and Delilah
May 7, 1977
Boston Garden

Never thought I'd dig this song so much. They're just so on this whole night (week actually).
12
Next Time You See Me
April 17, 1972
Tivolis Koncertsal

Simply amazing. Check out the video: http://www.youtube.com/watch?v=YyAOwP8dLqc
22
He's Gone
April 17, 1972
Tivolis Koncertsal

I love this version. It's got oomph and doesn't put you to sleep. http://www.youtube.com/watch?v=YyAOwP8dLqc for video.
12
Jack Straw
April 17, 1972
Tivolis Koncertsal

Great bumping version. Check out the video! http://www.youtube.com/watch?v=YyAOwP8dLqc for rare Europe '72 footage.
22
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Embryonic "Fire" in the "soundcheck jam" into Wharf Rat. Not a full FTM, but of amazing Deadfulness and not listed elsewhere. Check it out!

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.