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Carrion_Crow

Stealth Head

+49667


Submissions

6
Mississippi Halfstep Uptown Toodeloo
July 27, 1973
Grand Prix Racecourse

The boys seem to love playing in unanounced, unstructred jams like this. Freedom reminiscent of some '67-69's but with the '73 songlist.
30
Sugaree
Dec. 16, 1978
Nashville Municipal Auditorium

Rippin' show opener with Bobby twang sliding and a 2nd Jerry solo taking it up and over the top. Plus its Nashville.
5
Big River
July 27, 1973
Grand Prix Racecourse

Turns typical 1st set filler into a great jam. One of Keith's best solos of Summer '73.
13
The Other One
July 1, 1973
Universal Amphitheatre

Cool and fast w/ 12min jam before 1st (and only) verse. At 08:30 Phil goes teases what sounds like Milking the Turkey. Is that possible?
9
Loose Lucy
July 1, 1973
Universal Amphitheatre

A greasy gritty super-funk sex parade. Wasn't often the Dead sounded this horny after Pigpen died.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.