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Carrion_Crow

Stealth Head

+49667


Submissions

9
Jack Straw
June 26, 1973
Seattle Center Coliseum

Purrs along like a smooth stretch of highway. The whole first set has understated beauty. A gem.
15
Hard to Handle
Feb. 18, 1971
Capitol Theater

Pigpen's voice is deep, SC-soaked and clear. The jam is ballsy and pushing out against the seams.
10
St. Stephen
Oct. 13, 1968
Avalon Ballroom

Blasting '68 psyhedelia - A bit wilder than the legendary night before's version. Goes into one of the all-time great 11s after, too.
10
Scarlet Begonias
May 25, 1974
Campus Stadium, UCSB

Great early version, Donna and Jer are on. Sorry my version sounds like they played in a tin can, though.
28
Eyes Of The World
June 24, 1973
Memorial Coliseum

Builds and builds from subtle spaceyness to a burning jam. Whole show seems overlooked but well worth it.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.