headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

46
Dark Star
June 24, 1973
Memorial Coliseum

Subtle(!) melodic inventiveness, slow boil for 27 minutes, nice channel separation between Bob and Jerry, Phil solo. A forgotten Dark Star.
11
Big River
June 24, 1973
Memorial Coliseum

Very hot energy and great soloing, plus it goes into an epic Dark Star. Forgotten concert: But the boys hotted this one up big time.
7
Bertha
June 24, 1973
Memorial Coliseum

Short and sweet with lots of character. This show has mix / sound issues, but is quite worth the listen.
11
Mississippi Halfstep Uptown Toodeloo
June 24, 1973
Memorial Coliseum

Listen past some sound quality problems for a sweet, thoughtful version - especially the outro.
6
El Paso
June 24, 1973
Memorial Coliseum

The boys ripped out some shit-kickin' high energy shredding on this one.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.