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Carrion_Crow

Stealth Head

+49667


Submissions

9
They Love Each Other
May 20, 1973
U.C.

Most rockin' version I know. The boys sound big and tight throughout this wonderful show.
18
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Really tight and uptempo. Jerry sings through a cold, but energetic and inspired guitar work. Perfect transition into Rider.
9
Playin' In The Band
June 26, 1976
Auditorium Theatre

Complex and experimental around a Stephen>Wheel sandwich. Starts and ends in wild exhuberance, but has lots of spacebugs and dinosaurs in between.
3
The Wheel
June 3, 1976
Paramount Theatre

Was this the first Wheel ever? It rolls just so sweetly - not very long, but quite perfect
10
Scarlet Begonias
June 3, 1976
Paramount Theatre

Very tight, uptempo and deeply grooving. Check out Seamons' matrix for right tape speed. Even Donna's contributino is solid on this one.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.