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Carrion_Crow

Stealth Head

+49667


Submissions

4
Goin' Down The Road Feelin' Bad
Oct. 19, 1972
Fox Theatre

One of the rare versions that stands apart with or without its NFA bread.
6
Dire Wolf
Oct. 19, 1972
Fox Theatre

For a song that was effectively out of rotation at this point, they pulled it off with sing-round-the-campfire sweetness. Jerry growls it out.
6
China Cat Sunflower -> I Know You Rider
Oct. 19, 1972
Fox Theatre

Sweet version with an innovative transition. The whole band was on, but Keith and Phil are high in the mix and brilliant..
3
Bertha
Oct. 19, 1972
Fox Theatre

Recording is good, with Keith and Phil high in the mix. Everyone is switched way on, and the jamming shows perfect unity.
3
Sugaree
Oct. 19, 1972
Fox Theatre

Band recovers from a flubbed BTW and charges forward with this powerful rocker. Jerry and Keith's interplay as it rises is spectacular.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.