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Carrion_Crow

Stealth Head

+49667


Submissions

16
China Cat Sunflower -> I Know You Rider
May 23, 1972
Strand Lyceum

A more rocking version than others from the time, and oddly overlooked. Jumps off Cat right away into the long transition. Energetic stuff here.
13
Black Throated Wind
May 23, 1972
Strand Lyceum

Is there a single one from '72 that doesn't end in triumph? This song just got better and better throughout Europe. Surprised this wasn't here yet.
11
Sugar Magnolia
May 13, 1972
Lille Fairgrounds

Perfect musical sunshine. This one even got my not-at-all-into-the-Dead wife to dance around like a trippin' hippy, so you know it's good.
15
Truckin'
May 13, 1972
Lille Fairgrounds

Unforgivable that you guys overlook Truckin'. There's a reason it's the one song non-heads know. This one is a forgotten colossus. Listen up.
8
Mister Charlie
May 13, 1972
Lille Fairgrounds

Distinctly slower, with a greasier funk vibe. Surprised it isn't here. Different from the others and lots of fun.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.