headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

4
Greatest Story Ever Told
March 27, 1972
Academy of Music

The new SBD's are crystal clear, with everyone audible. Whoever that Billy guy is could sure play some goddamned drums. He's solid gold on this one.
4
Black Throated Wind
March 27, 1972
Academy of Music

Charged up and triumphant. The whole week of shows before Europe is killer. Thanks go to C. Miller for the great archive versions.
4
Playin' In The Band
March 25, 1972
Academy of Music

Key moment in transforming PITB into a cosmic monster. 9.5 minutes of gooey goodness here. C.Miller's version is the best. Dig in boys.
8
Not Fade Away
March 23, 1972
Academy of Music

The outro might be the three most intensely energetic minutes of GD music ever. The first part rocks too. Why not here yet? This show is a goldmine.
6
Me and Bobby McGee
March 23, 1972
Academy of Music

Now I know a lot of you don't dig this song, but goddamn they pour it on for this one. Great Jerry filagree backing the passionate vox. Listen to the

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.