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Carrion_Crow

Stealth Head

+49677


Submissions

4
Alligator
July 10, 1970
Fillmore East

One of the lasts, and they're undoubtedly still jamming the shit out of it. Listen to them come out of drums and the head sez "pray it's not NFA" !!!
4
Easy Wind
July 10, 1970
Fillmore East

Pressure cooker here, just bursting with energy. Pig sounds great, Jerry goes full throttle. AUD quality B only, but worth every second.
2
China Cat Sunflower -> I Know You Rider
June 13, 1970
Red Vest

Souped up high voltage versions here. The CC has that rippin' '69 energy and the vocals throughout nail it.
6
Playin' In The Band
June 7, 1970
Fillmore West

The Main Ten. Primordial Playin' groove. This is the deep Dead here. Powerful.
4
Not Fade Away
June 6, 1970
Fillmore West

Continuing on 48 minutes of the immortal "kitchen sink" jam, this one holds its own to any other of the era.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.