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Carrion_Crow

Stealth Head

+49677


Submissions

7
St. Stephen
March 21, 1970
Capitol Theater

Totally overlooked. One of the prettiest mid-sections I know of, even if there isn't much of a jam section to it.
8
Deep Elem Blues
March 21, 1970
Capitol Theater

Imagine how blown away the freaks were, expecting 'Alligator' and getting this stunning intro into the country Dead.
8
Friend of the Devil
March 21, 1970
Capitol Theater

Really boys? Take the red pill and go back in time to this rowdy show. 2nd ever and Jer nails it after telling the crowd to "shut the fuck up".
7
Casey Jones
March 21, 1970
Capitol Theater

Plugged in and slashingly ("thwok! thwok! thwok! thwok")! energetic opener for a rowdy crowd.
2
Deep Elem Blues
March 20, 1970
Capitol Theater

Deep sounds from a pivotal moment in Dead History. A treat for AUD lovers.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.