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Carrion_Crow

Stealth Head

+49677


Submissions

4
Hard to Handle
Feb. 12, 1970
Ungano's Night Club

Date overshadowed by the next night and ambiguous provenance - but don't skip it. Bobby's high in the mix with rare balance and a great jam.
3
Beat it on Down The Line
Feb. 12, 1970
Ungano's Night Club

Has that blistering surf punk energy that the best early BIODTLs have. Whole show rocks, even if it may not have ever existed.
4
Cold Rain and Snow
Feb. 11, 1970
Fillmore East

Less known than the immortal Feb. 13 show, but every bit as good. They are so dailed in, just exactly perfect.
4
Casey Jones
Feb. 11, 1970
Fillmore East

Exuberent and crisp with pumped up energy... Hmmmm?
9
Turn On Your Love Light
Feb. 8, 1970
Fillmore West

Pig was responsible for a whole lotta new babies after this one. Turns it over and gives the ladies some instruction to go out and get it. Nice.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.