headyversion

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Carrion_Crow

Stealth Head

+49687


Submissions

2
Cumberland Blues
Feb. 6, 1970
Fillmore West

With that fresh brilliance of its time. The show starts with country bluegrass, goes blue, then psychedelicore: A perfect '70 combi.
4
Good Lovin'
Feb. 6, 1970
Fillmore West

Hot burner, with Pig's voice just perfect. He drives everyone to higher and higher vocal heights.
3
Hard to Handle
Feb. 6, 1970
Fillmore West

I love the hard chargers, but this one is different: Almost mellow with a slow simmering groove. Cool, not hot. Check it out.
4
The Race Is On
Feb. 5, 1970
Fillmore West

Some of Jerry's best pedal steel soloing work ever. Shitkickinly good.
3
The Eleven
Feb. 5, 1970
Fillmore West

Incomplete, but fantastic tight jam with lovely China Cat riffs. A fantastic jam with Mason's>11>Caution>NFA
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Comments

Uncle John's Band
Aug. 24, 1972
Berkeley Community Theatre

The energy and drive on this is unparalleled. The outro(s) are just phenomenal, and all after hours of high-velocity, outer-spheres-crazy creative jamming: The finest band in the land indeed.
Ramble On Rose
Aug. 24, 1972
Berkeley Community Theatre

Convincing, up-tempo pulse to it. Never lags, as some RoRs do.
Sugar Magnolia
Aug. 24, 1972
Berkeley Community Theatre

Has the rhythm and thrust of an 18-wheeler cruising 85 m.p.h. If this doesn't get you out of your chair to dance, then nothing will.
Morning Dew
Aug. 24, 1972
Berkeley Community Theatre

This DS>Dew is as sublime an arc as I know in the whole oeuvre. The whole range of whisper to cataclysm is on display. Jerry's voice is also in great shape, and the whole thing seems unworldly.
Brown Eyed Women
Aug. 24, 1972
Berkeley Community Theatre

You got that right, Glyn. This whole show could have gone straight to vinyl. The highlights from this Berkeley run are top '72 (says a hell of a lot), and just Peak Dead all around.
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