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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

3
Deep Elem Blues
April 13, 1982
Letterman

Sweet version with just Bob and Jerry for the David Letterman Show. Funny interviews + a Monkey & the Engineer. On YouTube. Jer outsmarts David L.
3
Playin' In The Band
April 5, 1971
Manhattan Center

'71 Playin's are a special kind of love: nothing like what it became, a clang machine 10/4 poppin' country yodel. This one knocks my socks off.
4
Weather Report Suite
Nov. 19, 1972
Hofheinz Pavilion

The Prelude only, but really it's a thematic and 2nd meltdown to the mind-blowing Dark Star. Under certain circumstances this one could be dangerous.
12
Nobody's Fault But Mine
July 29, 1974
Capitol Center

A seamless sweet groove - into a very cool TOO. This show doesn't get enough love - all Summer '74 is hot, but this is a real corker.
10
Deal
July 29, 1974
Capitol Center

Some of the best boogie-woogie cowboy barroom stride piano from Keith here.

Comments

Sugaree
Aug. 21, 1972
Berkeley Community Theater

Tighter and stronger than a lot of the gnarly 15+ minute versions out there: This is a solid sweet rocker with a swinging pulse and just enough swagger.
He's Gone
Aug. 21, 1972
Berkeley Community Theater

This and the two versions right before are just top shelf. Seems like they'd hit a stride on He's Gone and enjoyed working it up to a higher level. The concentrated greatness reminds me somehow of Wharf Rat in the summer of '74 (if you don't know, then do please go and check that out...), or Dancing in the Streets in Fall '76.
Friend of the Devil
Aug. 21, 1972
Berkeley Community Theater

A funny mix, but it does allow you to hear Keith's master-class in honkytonk, which was too often a bit hidden in the SBDs of this era.
Black Throated Wind
Aug. 21, 1972
Berkeley Community Theater

May just be my favorite version. This one has it all.
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Listen to this now. Criminally under-rated here, maybe owing to the show's bad sound for the first tracks. This is a brilliant, exploratory and melodic jam that should be much more well-known. The AUD patch does not detract from the overall power of this one.