headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

6
Black Peter
Dec. 19, 1969
Fillmore Auditorium

One of the first, and its strong and tight and powerful. Is there a bad show from Dec. '69?
2
Turn On Your Love Light
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Goes way off the rails with Bobby, Pig, audience members and Phil all acting quite mad. Reminds me of some of the Acid Test recordings. A rarity.
4
The Eleven
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Expanding over 14 minutes, this one covers different themes and vibes with great streches for soloing. Low-fi AUD.
4
Dark Star
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Some AUD probs but a glowing, surging perfect slice of '69 Dead. Begins acoustically. A rare treat from under the radar.
2
Mountains of the Moon
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Buried in bad AUD murk and hiss, this was the last one ever performed. It's longer, slower and beautiful. A gem for completist collectors only.
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Comments

Sugaree
Aug. 21, 1972
Berkeley Community Theater

Tighter and stronger than a lot of the gnarly 15+ minute versions out there: This is a solid sweet rocker with a swinging pulse and just enough swagger.
He's Gone
Aug. 21, 1972
Berkeley Community Theater

This and the two versions right before are just top shelf. Seems like they'd hit a stride on He's Gone and enjoyed working it up to a higher level. The concentrated greatness reminds me somehow of Wharf Rat in the summer of '74 (if you don't know, then do please go and check that out...), or Dancing in the Streets in Fall '76.
Friend of the Devil
Aug. 21, 1972
Berkeley Community Theater

A funny mix, but it does allow you to hear Keith's master-class in honkytonk, which was too often a bit hidden in the SBDs of this era.
Black Throated Wind
Aug. 21, 1972
Berkeley Community Theater

May just be my favorite version. This one has it all.
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Listen to this now. Criminally under-rated here, maybe owing to the show's bad sound for the first tracks. This is a brilliant, exploratory and melodic jam that should be much more well-known. The AUD patch does not detract from the overall power of this one.
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