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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cumberland Blues
Dec. 15, 1971
Hill Auditorium

Joyful chaos: A brilliant splatter. Bobby's voice never sounded so good to me as it did in '71.
5
Mister Charlie
Dec. 15, 1971
Hill Auditorium

Pigpen at his best with the band at its grit-in-the-gears crunchiest. They were on this night and this one is just full of butt.
6
Wharf Rat
Dec. 12, 1973
Omni Coliseum

Very passionate version, some distortion or tape speed issues (?) remind me of my cassette trading days and bring out the trippiness to the song.
11
China Cat Sunflower -> I Know You Rider
Dec. 12, 1973
Omni Coliseum

If this hard grooving China jam and Feeling Groovy transition doesn't just get you moving, then nothing can. Just perfect.
10
Pretty Peggy O
Dec. 12, 1973
Omni Coliseum

First version ever is real nice... but listen to the soundcheck version for insight into the bands working dynamics. Cool to hear them working on it.

Comments

Sugaree
Aug. 21, 1972
Berkeley Community Theater

Tighter and stronger than a lot of the gnarly 15+ minute versions out there: This is a solid sweet rocker with a swinging pulse and just enough swagger.
He's Gone
Aug. 21, 1972
Berkeley Community Theater

This and the two versions right before are just top shelf. Seems like they'd hit a stride on He's Gone and enjoyed working it up to a higher level. The concentrated greatness reminds me somehow of Wharf Rat in the summer of '74 (if you don't know, then do please go and check that out...), or Dancing in the Streets in Fall '76.
Friend of the Devil
Aug. 21, 1972
Berkeley Community Theater

A funny mix, but it does allow you to hear Keith's master-class in honkytonk, which was too often a bit hidden in the SBDs of this era.
Black Throated Wind
Aug. 21, 1972
Berkeley Community Theater

May just be my favorite version. This one has it all.
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Listen to this now. Criminally under-rated here, maybe owing to the show's bad sound for the first tracks. This is a brilliant, exploratory and melodic jam that should be much more well-known. The AUD patch does not detract from the overall power of this one.