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Carrion_Crow

Stealth Head

+49667


Submissions

2
Pretty Peggy O
Jan. 18, 1978
Stockton Civic Auditorium

Jer sings thrôugh a cold, but the beauty and sweetness shines through. Sounds like he would 10 years later, but with the '78 sound. Full of love.
3
Tennessee Jed
Sept. 19, 1972
Roosevelt Stadium

If you can get past the migraine-inducing AUD, this is one rowdy shitkicker that riles up the fun-loving crowd.
1
One More Saturday Night
Sept. 17, 1972
Baltimore Civic Center

Smokin' hot encore to finish off one brilliant mother of a show. OMSN isn't many folk's fave tune, but this one just rocks hard.
8
Uncle John's Band
Sept. 17, 1972
Baltimore Civic Center

This show has biting hardness throughout, then this seems a bit la-la until the 7/4 parts, and that grit returns with crunching nastiness. Excellent!
10
Me and My Uncle
Sept. 17, 1972
Baltimore Civic Center

Total badassery. This one bites down hard and has a little menace to it, as befits a song about murder.

Comments

Sugaree
Aug. 21, 1972
Berkeley Community Theater

Tighter and stronger than a lot of the gnarly 15+ minute versions out there: This is a solid sweet rocker with a swinging pulse and just enough swagger.
He's Gone
Aug. 21, 1972
Berkeley Community Theater

This and the two versions right before are just top shelf. Seems like they'd hit a stride on He's Gone and enjoyed working it up to a higher level. The concentrated greatness reminds me somehow of Wharf Rat in the summer of '74 (if you don't know, then do please go and check that out...), or Dancing in the Streets in Fall '76.
Friend of the Devil
Aug. 21, 1972
Berkeley Community Theater

A funny mix, but it does allow you to hear Keith's master-class in honkytonk, which was too often a bit hidden in the SBDs of this era.
Black Throated Wind
Aug. 21, 1972
Berkeley Community Theater

May just be my favorite version. This one has it all.
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Listen to this now. Criminally under-rated here, maybe owing to the show's bad sound for the first tracks. This is a brilliant, exploratory and melodic jam that should be much more well-known. The AUD patch does not detract from the overall power of this one.