headyversion

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Carrion_Crow

Stealth Head

+47945


Submissions

2
Sugaree
Nov. 22, 1972
Austin Municipal Auditorium

Fantastic show opener, meaning business straight out of the gate. Solid, swinging pulse and great keywork from Keith.
7
Big Railroad Blues
Nov. 19, 1972
Hofheinz Pavilion

Powerfully locomotive version with lots of fun behind it.
3
Mexicali Blues
Nov. 19, 1972
Hofheinz Pavilion

Extra pop and stomp all over this one.
4
Me and Bobby McGee
Nov. 15, 1972
Oklahoma City Music Hall

Not everyone's favorite song, but I love it. This is an uptempo, airplay-tight, and beautifully sung version. Faster than most.
3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.
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Comments

Cryptical Envelopment
Jan. 26, 1969
Avalon Ballroom

All about the reprise. This one cooks.
Caution
Jan. 25, 1969
Avalon Ballroom

Powerful doesn't begin to describe it. This is the Dangerous Dead, though pretty short for the era. This is the era when the Avalon would hold them to one-hour sets and the night before they cut off the electricity, so perhaps they were reigning it in.
Alligator
Jan. 25, 1969
Avalon Ballroom

Starts a little unfocused, but comes out of the drum solo and transitions into Caution with blow-your-hair-back force.
Cosmic Charlie
Jan. 25, 1969
Avalon Ballroom

One of the best I know: They're having a blast. The growling grinding combination of Jerry and the keys (Pigpen? TC? both?) gives it an energetic tight swinging sound during the verses, and an unexpected almost punk-rock blown-amp sounding bridge to the "calling you" section. Cosmic Charlie is so legendary and mythic: People held banners at shows with the number of days past since it was last performed and annual set-lists would say Cosmic Charlie: 0 with a sad-face next to it. Hear it here in a uniquely tight and fun version.
Dark Star
Jan. 25, 1969
Avalon Ballroom

TC is too high in the mix, but so what? In most recordings of the era it's almost impossible to hear any indication of what he brought, so this is an interesting document if nothing else. It's also musically a whirligig of fun, even if a bit scattered in places. Deduct points for the mix if you must.
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