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Carrion_Crow

Stealth Head

+47940


Submissions

5
Ship of Fools
Oct. 1, 1976
Market Square Arena

Beautifully ensconced in a delicious 2nd set framed by a great Dancin'. On its own this one is pure and lovely. Great Fall '76 show.
3
Its All Over Now
Oct. 1, 1976
Market Square Arena

Bobby throws a little bit more chaw into this one. It's full of spit and loads of fun. Great first set all around.
5
Cassidy
Oct. 1, 1976
Market Square Arena

A blissful, soaring example of GD ensemble playing. Starts just a bit loose, but by the out chorus it's just amazing.
5
Mama Tried
Oct. 1, 1976
Market Square Arena

Sweet version here. Everyone is just exactly perfect.
1
Wharf Rat
Sept. 30, 1976
Mershon Auditorium, OSU

Remarkable part of one of the rare hour + extended jams, great transitions in and out of it and a heartfelt beauty on its own.
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Comments

Cryptical Envelopment
Jan. 26, 1969
Avalon Ballroom

All about the reprise. This one cooks.
Caution
Jan. 25, 1969
Avalon Ballroom

Powerful doesn't begin to describe it. This is the Dangerous Dead, though pretty short for the era. This is the era when the Avalon would hold them to one-hour sets and the night before they cut off the electricity, so perhaps they were reigning it in.
Alligator
Jan. 25, 1969
Avalon Ballroom

Starts a little unfocused, but comes out of the drum solo and transitions into Caution with blow-your-hair-back force.
Cosmic Charlie
Jan. 25, 1969
Avalon Ballroom

One of the best I know: They're having a blast. The growling grinding combination of Jerry and the keys (Pigpen? TC? both?) gives it an energetic tight swinging sound during the verses, and an unexpected almost punk-rock blown-amp sounding bridge to the "calling you" section. Cosmic Charlie is so legendary and mythic: People held banners at shows with the number of days past since it was last performed and annual set-lists would say Cosmic Charlie: 0 with a sad-face next to it. Hear it here in a uniquely tight and fun version.
Dark Star
Jan. 25, 1969
Avalon Ballroom

TC is too high in the mix, but so what? In most recordings of the era it's almost impossible to hear any indication of what he brought, so this is an interesting document if nothing else. It's also musically a whirligig of fun, even if a bit scattered in places. Deduct points for the mix if you must.
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