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Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

The Eleven
Jan. 17, 1970
Oregon State University

Hola deadheadben, didja finish with '70? I'm going through '72, which has highs and lows, but leaves something behind with the funky informality of the early years. Listened to this again and loved loved loved it. Peace, brother.
Knockin' On Heaven's Door
Feb. 25, 1990
Oakland-Alameda County Coliseum

Easy there brothers, there are many versions and we can line 'em up like dominoes, look at each one like votive saints, or something in between, being here now and all that. Is this one killer? Sure. But while you're at it, check out my personal fave from the unknown acoustic Rambler Room show Nov. 17, 1978. This beaut is a forgotten link between the acoustic, (gasp!) 1970 dead and the Radio City Reckoning we know and love and never heard again. Am I wrong? Is there another acoustic gem out there mid-90s? Let me know if you find it, and I'll dig it too.
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

More '75 than you might think on the Archive if you dig into the rehearsal tapes. Nice call on the Floyd reference. An "all-muscle" Crazy Fingers is a perfect description of this experimental version - can you imagine if they'd kept this aesthetic and turned it into another white-knuckle hard number like TOO? What kind of lyrics would Hunter have penned? As it turns out, the Crazy Fingers we know and love is one of the most delicate poetic dreamscapes in the entire oeuvre, both lyrically and musically. How funny that they'd be working it through a totally different system. I'm about to embark on a deep '75 vibe... I can feel it coming.
Drums
July 21, 1972
Paramount Northwest Theater

Stronger than Dirt / King Solomon's Marbles ?!? Right at 2:00 Phil strums a little pattern that sounds familiar just for about four seconds. Maybe I'm crazy, (well of course I'm crazy), but it sounds like it to me.
Sugaree
Oct. 9, 1977
McNichols Arena

Nevermind! It seems like it's back and better than ever. THANKS HEADS.
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