headyversion

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Carrion_Crow

Stealth Head

+49677


Submissions

1
Me and Bobby McGee
March 22, 1972
Academy of Music

Billy's high in the mix, and he drives. A perfect snapshot, with Bobby's sweet young voice in perfect form and a solid driven pulse throughout.
3
Mister Charlie
March 22, 1972
Academy of Music

High-voltage and up tempo shuffle. Great sounding C. Miller cleanup.
3
Goin' Down The Road Feelin' Bad
March 21, 1972
Academy of Music

They push the energy up and up and up. Special transition into OMSN. An all-round high voltage jamming show. Underrated.
5
Big Railroad Blues
March 21, 1972
Academy of Music

High energy, shitkickingly good. The energy in this is off the charts.
2
Good Lovin'
March 21, 1972
Academy of Music

Pig on a ferocious rampage, the band sizzling hot behind him, and all this in the first set. This show deserves more love.
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Comments

The Eleven
Jan. 17, 1970
Oregon State University

Hola deadheadben, didja finish with '70? I'm going through '72, which has highs and lows, but leaves something behind with the funky informality of the early years. Listened to this again and loved loved loved it. Peace, brother.
Knockin' On Heaven's Door
Feb. 25, 1990
Oakland-Alameda County Coliseum

Easy there brothers, there are many versions and we can line 'em up like dominoes, look at each one like votive saints, or something in between, being here now and all that. Is this one killer? Sure. But while you're at it, check out my personal fave from the unknown acoustic Rambler Room show Nov. 17, 1978. This beaut is a forgotten link between the acoustic, (gasp!) 1970 dead and the Radio City Reckoning we know and love and never heard again. Am I wrong? Is there another acoustic gem out there mid-90s? Let me know if you find it, and I'll dig it too.
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

More '75 than you might think on the Archive if you dig into the rehearsal tapes. Nice call on the Floyd reference. An "all-muscle" Crazy Fingers is a perfect description of this experimental version - can you imagine if they'd kept this aesthetic and turned it into another white-knuckle hard number like TOO? What kind of lyrics would Hunter have penned? As it turns out, the Crazy Fingers we know and love is one of the most delicate poetic dreamscapes in the entire oeuvre, both lyrically and musically. How funny that they'd be working it through a totally different system. I'm about to embark on a deep '75 vibe... I can feel it coming.
Drums
July 21, 1972
Paramount Northwest Theater

Stronger than Dirt / King Solomon's Marbles ?!? Right at 2:00 Phil strums a little pattern that sounds familiar just for about four seconds. Maybe I'm crazy, (well of course I'm crazy), but it sounds like it to me.
Sugaree
Oct. 9, 1977
McNichols Arena

Nevermind! It seems like it's back and better than ever. THANKS HEADS.
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