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Carrion_Crow

Stealth Head

+49737


Submissions

7
Casey Jones
Oct. 31, 1971
Ohio Theatre

Like the Jack Straw earlier, they take a slower deliberate pace to create a new vibe. Here you can hear them jam with over the sound of a train. Cool.
10
Jack Straw
Oct. 31, 1971
Ohio Theatre

Strange, almost experimentally slower version with some problems, but different guitar lines. Almost a novelty.
14
Loser
Oct. 31, 1971
Ohio Theatre

Anthemic version with great chorus vocals. Could be the closing music for a great western movie.
2
Goin' Down The Road Feelin' Bad
Oct. 30, 1971
Taft Auditorium

The transition jam back to NFA is one of the trippiest, dreamy, paintbrushes of sound ones I know.
2
Truckin'
Oct. 30, 1971
Taft Auditorium

Our boys give in to the heckler and rip out a classic Truckin' here. Great rock and roll here with a punchy, aggressive vibe and great soloing.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.