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Carrion_Crow

Stealth Head

+49742


Submissions

13
The Other One
Dec. 10, 1971
Fox Theatre

An immortal. Very experimental, so many melodic fragments amongst the splintered cosmos - they pull a surprise out of the hat. Check it out.
13
Sitting on Top of the World
Dec. 10, 1971
Fox Theatre

Buried in the extraterrestrial outer reaches of an immortal TOO this emerges, brings a 'how's they do that?!' vibe then disappears back into chaos.
23
Truckin'
May 7, 1972
Bickershaw Festival

Smokin' hot show opener. The band is ultra tight and kick things off with force.
3
Black Throated Wind
Sept. 20, 1974
Palais Des Sports

Looser than 18.09.74, but more intense in its buildup and climax. Wait for it, it slow-rises then comes on like a tsunami.
14
China Doll
Sept. 18, 1974
Parc des Expositions

Sweet gossamer comedown nicely after the angular intensity of Eyes. Jerry's voice is smooth and lovely.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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