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Carrion_Crow

Stealth Head

+49767


Submissions

21
Playin' In The Band
June 30, 1974
Civic Center

Deep and weird, capping a set full of loose fun. They get into it and it's all business with a wild trans into UJB, slipknot tease, and a great outro.
16
Dire Wolf
June 30, 1974
Civic Center

Seems like they're just having a great old time jamming together. A loose, fun-filled 1st set capping off a great month in Dead history.
9
Dark Star
April 21, 1969
The Ark

A beautiful monster with intrepid intricacies throughout. Rhythmic Jerry investigations of the theme plus Tom C. on celeste.
2
Sugar Magnolia
April 8, 1971
Boston Music Hall

Super high energy, lot's of fun. They came to gether nicely on this one.
20
Playin' In The Band
May 3, 1972
Olympia Theater

Massive and dark with fantastic interplay between everybody on stage. Doesn't quite melt down, but dances next to chaos just perfectly.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.