headyversion

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Carrion_Crow

Stealth Head

+49767


Submissions

4
Space
June 28, 1974
Boston Garden

Sea Stones: Space noise electronica with Phil & Ned. Not for everyone, but sends me into well into the interstellar place.
6
Sugaree
June 28, 1974
Boston Garden

May-June '74 might be my top time for Sugaree. This just builds up to so much intensity. Great stuff.
3
Candyman
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Intimacy levels: Campfire. Acoustic mellow to the point where I feel like just went camping with my favorite band. A treasure.
7
The Other One
Feb. 3, 1968
Crystal Ballroom

Clutch yer nuts and hold on for dear life. Heavy headiness where the squiggly hippies and the madman bikers get massively Dead nailed.
15
Truckin'
Sept. 28, 1975
Lindley Meadows, Golden Gate Park

Explosive jam like they had 11 months of unplayed Truckin's compressed into one.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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