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Carrion_Crow

Stealth Head

+49767


Submissions

5
Not Fade Away
March 24, 1970
Pirates World

Has it all, and goes seamlessly into a killer Lovelight. Not catching why this show is the bomb? Try HEADPHONES - makes a big difference!
7
Let It Grow
June 26, 1974
Providence Civic Center

As a young head I used to scream out for LIG and this one reminds me why. They click into place for a monster show right here.
12
Scarlet Begonias
June 26, 1974
Providence Civic Center

Scarlet scrambled eggs deconstructed and elemental. Fun and Jerry is on fire, but we can't say 'flawless'. Chaotic fun. Band's just warming up....
10
Wharf Rat
April 5, 1971
Manhattan Center

Beautiful Skull and Roses-era top notch Wharf Rat genius on your ears here for those'll have it. Enjoy, bros.
6
Bird Song
April 17, 1971
Dillon Gym

A strangly deconstructed early version (7th time ever), very loose in the joints. But it rolls along with great lopsided beauty. Interesting.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.