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Carrion_Crow

Stealth Head

+49667


Submissions

5
Sugaree
May 25, 1974
Campus Stadium, UCSB

Swings and rocks you back and forth so sweetly. Not my favorite Dead song, but this one is just a beaut.
26
Wharf Rat
May 21, 1974
Edmundson Pavilion

A musical triumph capping an amazing 2nd Set. Soaring, almost Bird Songish intensity to the ensemble soloing. Perfect.
18
Sugar Magnolia
May 21, 1974
Edmundson Pavilion

Are you kidding me?!? This just blazes white hot. Whole 2nd set is just a supernova.
16
U.S. Blues (Wave That Flag)
May 21, 1974
Edmundson Pavilion

The boys were still inspired after that 46min Playin' and it shows. Possibly the best US Blues I know of. Don't overlook it or the rest of the show!
46
Wharf Rat
May 19, 1974
Portland Memorial Coliseum

Slightly faster with a steady ostinato bass that works beautifully. No dirge, but a thoughtful tale. I hear waves against a wharf at the end.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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