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Carrion_Crow

Stealth Head

+49667


Submissions

6
Black Peter
Dec. 19, 1969
Fillmore Auditorium

One of the first, and its strong and tight and powerful. Is there a bad show from Dec. '69?
2
Turn On Your Love Light
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Goes way off the rails with Bobby, Pig, audience members and Phil all acting quite mad. Reminds me of some of the Acid Test recordings. A rarity.
4
The Eleven
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Expanding over 14 minutes, this one covers different themes and vibes with great streches for soloing. Low-fi AUD.
4
Dark Star
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Some AUD probs but a glowing, surging perfect slice of '69 Dead. Begins acoustically. A rare treat from under the radar.
2
Mountains of the Moon
July 12, 1969
NY State Pavilion, Flushing Meadow Park

Buried in bad AUD murk and hiss, this was the last one ever performed. It's longer, slower and beautiful. A gem for completist collectors only.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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