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Carrion_Crow

Stealth Head

+49667


Submissions

15
Playin' In The Band
July 18, 1972
Rossevelt Stadium

Hard-driver with intense 10/4 jamming throughout. Phil and Billy give it extra oomph. Great mix with Keith and Jer up front and clear.
4
China Cat Sunflower -> I Know You Rider
July 18, 1972
Rossevelt Stadium

One of those rare ones where China Cat plods a bit and they move into a blazing hot Rider. Great show all around, too.
19
Candyman
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Keith plays beautifully on this.
7
Brown Eyed Women
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Like with all Winter '73s the band is in excellent form. Bobby's slashing chords behind Big Jer just make this one an uptempo gem.
8
Me and Bobby McGee
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Sweet and lovely. Jerry's virtuoso fillagree behind Bobby's smooth-as-smoke vocals just slay me here.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.