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Carrion_Crow

Stealth Head

+49667


Submissions

13
Brown Eyed Women
Oct. 2, 1977
Paramount Theatre

Perfection firing on all cylinders: Tight band, muscular beats, beautiful vocals (Donna's on!) and that applied greatness that is the '77 Dead.
13
Doin' That Rag
March 2, 1969
Fillmore West

Blissful '69 chaos: Jer says, "Help! Help! Hey, we need some organized minds up here" and then they launch. Great fun and a wild ride.
13
Comes A Time
Oct. 22, 1971
Auditorium Theatre

Pure. One of the first performances with beautiful, meaning-soaked delivery.
9
Wharf Rat
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Suffers a cutout in the middle, but reaches transcendant beauty and interplay. They end on a harmonics/tuning just delightfully right out of the song.
7
Mississippi Halfstep Uptown Toodeloo
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Sweet and subtle, part of a mega-massive 2nd set jam. A beauty.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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