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Carrion_Crow

Stealth Head

+49667


Submissions

5
Playin' In The Band
Sept. 26, 1973
War Memorial

Eclectic melodicism and mood shifts make this beauty at times sound like outer space, at times like a bossa sunrise on the beach. A '73 gem.
5
Brown Eyed Women
Sept. 26, 1973
War Memorial

Sweet and tight. Soulful vocals and - if I'm not wrong - Phil singing harmony (???). A great show from the fall '73 tour.
12
Playin' In The Band
Sept. 26, 1972
Stanley Theatre

Sweet version with long Jer and Bobby double solo. Hits all the '73 highs: tight, long jam, with lots of Jerry's fast-mellow and space bugs.
4
Let It Grow
Sept. 24, 1973
Civic Arena

Bobby's neck vein-poppin vocals and Phil's full-throttle power make this a great one. Sept.'73 horns are low in the mix for a cool live/studio effect.
7
Mississippi Halfstep Uptown Toodeloo
Sept. 24, 1973
Civic Arena

Steady rockin' version with beautiful outro.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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