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Carrion_Crow

Stealth Head

+49667


Submissions

7
Greatest Story Ever Told
June 30, 1973
Universal Amphitheatre

Top notch version. Builds and builds and builds.
7
Jack Straw
June 30, 1973
Universal Amphitheatre

Unique version from an excellent show. Has a different groove to it from other JSs from the era. Several listens and it still stands out.
3
Tennessee Jed
June 30, 1973
Universal Amphitheatre

Tight and groovy - doesn't drag ass at all. Great show in all directions.
19
China Cat Sunflower -> I Know You Rider
Nov. 25, 1973
Feyline Field

Beautiful. One of those rare gems where the Rider seems altogether tighter than the China Cat. What more can a head want?
19
China Cat Sunflower -> I Know You Rider
June 26, 1973
Seattle Center Coliseum

Super mellow and smooth, understated grace - like the rest of the first set here - and one cool '73 beauty of a transition to Rider. Overlooked!

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.