headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

13
Playin' In The Band
March 15, 1973
Nassau Coliseum

Long and adventurous and moody (24+ min). First concert after Pig died. You can hear their sadness in places.
43
Eyes Of The World
Feb. 28, 1973
Salt Palace

Soaring and majestic. Melodic soloing and tight group work. Unfortunately incomplete on the archive. Where is the rest?
48
Box of Rain
Feb. 28, 1973
Salt Palace

The band is playing all over this version. Great collective jam, Jerry and Keith sound great despite sound quality problems.
10
Cold Rain and Snow
Feb. 28, 1973
Salt Palace

High energy, tight and exuberent show opener on this epic (DP28) last night in one of the great months in Dead history.
4
Tennessee Jed
Feb. 24, 1973
University of Iowa

Balls out. Everyone on fire. Every song in this show is brilliant. Where's the rest of the show???
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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