headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

1
The Other One
Oct. 10, 1967
Shrine Auditorium

Wild and reckless - a supernova.
2
Born Cross Eyed
Jan. 17, 1968
Carousel Ballroom

It rocks. A tight first Born Cross Eyed after a pretty rough New Potato Caboose. Love the '68 sound.
6
The Eleven
Jan. 17, 1968
Carousel Ballroom

First version, out of the first China Cat ever. Epic show. Pigpen is on fire the whole night.
4
Turn On Your Love Light
Jan. 17, 1968
Carousel Ballroom

Blazing start to an awe inspiring, historically massive show. It's pure. Pig and Bobby are especially fun during the hocket (vocal back and forth).
9
Born Cross Eyed
Jan. 20, 1968
Eureka Municipal Auditorium

Massive, sprawling, acid rock bursting at its seams. "Primal Dead" bending space-time.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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